A long gown in deep red and black that evokes the designer's inspiration for the collection, Turkish noblewoman and artist Lady Mihri Musfik Hanim. Photgraph by Elli Ioannou. |
An Alice figure in pink. Photo: Elli Ioannou |
In recalling her, Bora Aksu has designed gloves and used traditional Turkish materials in the collection.
As an artist, Bora Aksu found Mihri Musfik Hanim's life fascinating. She left the affluence of her family behind to immerse herself amid the working class of her country. Yet she left to live in Italy and Paris, even having an affair with the Italian poet Gabriele D'Annunzio. Through his connections, she painted a portrait of the pope as well as restoring ancient frescoes. Bora Aksu's collection is full of contrasts like the artist's life, with bold patterns of polka dots contrasting with stripes and floating, ruffled skirts in tulle. Echoes of Victoriana are there with high collars and ribbons yet undercut by some asymmetrical patterns worn with the sporty sneakers. Bora Aksu manages to create opulent pieces that seem to suggest another time and another age, but are still very wearable now.
Ruffles & flowing skirts with a coronet. Photo: Kseniya Segina |
As the designer has shown consistently at London Fashion Week, he has developed a distinctive signature that is both deeply romantic combined with a strong, quirky vision that suggests a darker world. His designs seem more like couture pieces than ready-to-wear and are worn by many actresses and singers inlcuding Keira Knightley, Sienna Miller and Paloma Faith. In 2013, Bora Aksu was named designer of the year at the Elle Style Awards in Turkey and he has continued to expand his work by collaborating with international brands.
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A Little Red Riding hood in Venetian Red chiffon suggestive of the artist's 19th Century origins in Ottoman Turkey. Photo: Elli Ioannou |
Diaphonous in a symphony of blue with a leaf design like drawing, this piece shows Bora Aksu's affinity with couture. Photo: Kseniya Segina |
Contrasting stripes and a long bow evoke another age that could be from the Edwardian Ottoman era. Photo: Kseniya Segina |
Long, flowing gown with a high neck and fine, pastel stripes that has an element of Victorian, yet is still contemporary. Photo: Kseniya Segina |
Fine stripes and culottes with a carona and transparent gloves. Photo:Kseniya Segina |
Finale of Bora Aksu show in London. Photo: Kseniya Segina |